d4zux.netlify.com

1. Eminem The Way I Am Libro Pdf Taste Like
2. Eminem The Way I Am Libro Pdf Taste Of
3. Eminem The Way I Am Libro Pdf Taste Buds
4. Eminem The Way I Am Libro Pdf Taste Of Home

In Do the KIND Thing, Lubetzky shares the revolutionary principles that have shaped KIND’s business model and led to its success, while offering an unfiltered and intensely personal look into the mind of a pioneering social entrepreneur. He’s Compulsive About His Workouts. People get pumped to Eminem’s music. So it’s fitting that the rapper himself is a workout fanatic. He told Men’s Journal in 2015 that, in a way, he.

In The Way I Am, Eminem writes candidly, about how he sees the world. Providing a personal tour of Eminem's creative process, The Way I Am has been hailed as 'fascinating,' 'compelling,' and 'candid.' Stephen, I appreciate that Eminem’s music likely speaks to you in a way that it doesn’t for me. With that being said, I feel like I need to put the brakes on all this “anti-Eminem” discussion. Print and download in PDF or MIDI The Way I Am. Reupload because of a copyright infringement, but now with updated license. The Way I Am - Eminem sheet music for Piano download free in PDF or MIDI We use cookies on this site to enhance your user experience. The Teachings of Bhagavan Sri Ramana Maharshi Translation by Dr. MAHADEVAN From the original Tamil Published. Sense organs, viz. The senses of hearing, touch, sight, taste, and smell, which apprehend their respective objects, viz. Sound, touch, colour, taste, and odour, I am not; the five cognitive sense. In that way, all.

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we explore Eminem’s monumental album The Marshall Mathers LP.

Eminem prowled down a long line of young men, each sporting close-cropped, bleached blonde hair, each dressed just like him. Floodlights lit up the empty avenue outside of Radio City Music Hall where the rapper marched into the 2000 MTV Video Music Awards with his army to perform “The Real Slim Shady,” the first single from The Marshall Mathers LP. Underneath the song’s wide umbrella of references, a fleet-footed MC took up residence in Dr. Dre’s gooey bass and ornamented harpsichord—J.S. Bach bouncing in a lowrider. Proto-memes and trending topics got thrown into a blender; they came out laced in elegant knots. This was the primordial oil slick from which Eminem emerged, the god particle that launched him to new levels of superstardom.

Eminem The Way I Am Libro Pdf Taste Like

”The Real Slim Shady” wasn’t rap about what was happening on the streets of Brooklyn or Compton or Atlanta or even Detroit. It was rap about what was on television. Specifically, what was on television at that very moment. It was an echo-chamber of MTV-watchers, a real-time “Beavis and Butt-Head” for those who would be later be crowned millennials. As reality TV gained traction, Eminem’s dressing-down of celebrities endeared him to a generation who would soon find “drama” to be the coin of the entertainment realm. He knew it before many: People like the stuff they recognize. That’s pop music.

Telugu Movie Background Music Free Download Mp3 Song Download Telugu Movie Background Music Free Download mp3 Song download from MP3 SONG DJ pagalworld, New Telugu Movie Background Music Free Download Mp3 Song, Telugu Movie Background Music Free Download Official Hd Video Download, Royalty Free Background Music Free Downloads Telepathic Teddy Bear The Music In My Headphones Mp3 Songs, Free Royalty Free Background Music Free Downloads Telepathic Teddy Bear The Music In My Headphones Mp3 Download. Telugu Movie Background Music Free Download song download, For your search query Telugu Movie Background Music Free Download MP3 we have found 1000000 songs matching your query but showing only top 10 results.

This was 18 years ago, two or three epochs in music-industry time, back when “Total Request Live” held sway while boy bands and newly crowned pop stars like Britney Spears and Christina Aguilera filled the airwaves. Long before I ever started thinking critically about music, I sat watching Eminem’s VMA performance from my rural Wisconsin couch, a 10th grader with no social media, no cell phone. I was Eminem’s audience, a teen from Middle America, one of millions. As he stormed the theater with about a hundred carbon copies of himself, countless sociopolitical minefields were being set up around me. I had no awareness of any of them. What I thought, instead, was: This guy is really fucking good at rapping.

After the release of The Marshall Mathers LP, Eminem would shatter sales records with 1.7 million copies sold in the first week alone, 6.5 million in the first month, and eventually, over 35 million sold worldwide. It’s still the best-selling rap record of all time. He would cross over from rap to pop and rock radio, sell out arenas, win Grammys, rankle Lynne Cheney in front of the U.S. Congress, add a word to the dictionary, and incite protests from no small number of social justice groups. By virtue of his whiteness and talent in almost equal measure, Eminem would come to rule pop culture in America by becoming this century’s prototypical troll.

Whatever he’s become since, there can be no question that Eminem was one of the greatest to ever do it. He blew a young Kendrick Lamar’s mind, teaching him things about narrative clarity that he wouldn’t learn elsewhere. He killed JAY-Z on his own track, thus spoke Nas. It was Dr. Dre—N.W.A., The Chronic, Aftermath Records, kingpin of West Coast rap-Dr. Dre—who got Eminem’s demo tape in the late ’90s and co-signed this twentysomething, lemon-faced, twiggy, vociferously self-proclaimed son of a bitch from the East side of Detroit born Marshall Bruce Mathers III.

He was also, and remains, a homophobe, a misogynist, a confessed domestic abuser. He wrote later that, because of his critics, he went into what he called the “‘faggot’ zone” for this album “on purpose. Like, fuck you.” He defended this ugliness using the modern troll’s boilerplate: double down on the thing they want you to change until they can’t tell what you believe and what you don’t. To be a long-suffering listener of Eminem is to contend with this petulant fake-radical impulse, but it remains an impulse that defined the scope and tenor of The Marshall Mathers LP and became part and parcel to its success.

Before “The Real Slim Shady” came out, Eminem was convinced he didn’t have another song in him that could attract as many new fans as his 1999 breakout single, “My Name Is.” The fear of being a one-hit wonder—a point hammered in a 1999 interview with a pretty-racist Howard Stern, widely regarded as the impetus for the line about “cocky caucasians” who thinks he’s some “wigger”—hung over his head. At a remove, the spacious “My Name Is” scans just barely as rap, something that could possibly have been lumped in with the era’s droll, white-guy rhymes from Nada Surf, Cake, the Butthole Surfers, and Beck.

”My Name Is” landed on “TRL” in January of 1999, tipping the scales just enough to give suburban teenagers their first taste of Eminem’s aesthetic: The lyrics were violent, full of one-liners and references (Usher, Nine Inch Nails, Spice Girls) that piqued pop listeners while having the air of danger and a beat by Dre that signified its home was on rap radio. The Beastie Boys debuted at No. 1 with Hello Nasty in 1998, but Eminem was the first solo white rapper whose name wasn’t a pun on vanilla or snow to achieve huge crossover mainstream success.

Across his major label debut, The Slim Shady LP, Eminem established the framework of his mythology: He was born into poverty, raised without a father, shuttled between Missouri and the lower-middle-class black neighborhoods of Detroit, rootless, bullied to near-death. The album established his to-put-it-lightly Freudian relationship with his mother, his clear love for legends like Big Daddy Kane and Masta Ace and Nas, and his come-up battle-rapping at the Detroit hip-hop clubs. When the dust settled, his rapid ascent and sudden fame began to burrow into his writing, coloring his every want, thrumming behind the text.

“The Real Slim Shady” was one of the last songs written for the record. All through 1999, Eminem had been scribbling lyrics—not actual lines, just two or three words, little scraps of meter and verse unarrayed on a page—while on a world tour supporting his debut. Verses began to blacken notebooks after had found inspiration in the deregulated drug culture of Amsterdam, so much so that he almost named this album after the city. Meanwhile, over in the States, Dr. Dre and several other producers, including the Funky Bass Team and the 45 King, were assembling the beats for what would become the bulk of The Marshall Mathers LP. In early 2000, when Eminem submitted the project to Interscope label boss Jimmy Iovine, he was unsatisfied. It was macabre, morose, reflexive, and unflinchingly personal. It also didn’t have a hit.

The album’s second single, “The Way I Am,” was a direct response to the boardroom ultimatum with Iovine. Eminem got the three-note piano rhythm in his head on the plane ride after leaving Interscope’s office in California, but the rhyme scheme that he wanted to do wouldn’t fit with any other beat he had in the bank. So Eminem made his own backing track, ratcheting and mechanical, giving him his very first production credit. Yoked to this short-short-long cadence, Eminem shadowboxed his critics, his fans, his label, anyone who, real or not, got in his way:

I’m not gonna be able to top on “My Name Is”
And pigeon-holed into some poppy sensation
That got me rotation at rock’n’roll stations

The virtuosity of “The Way I Am” gained Eminem access to an audience that believed that the better you were at your instrument, the better music you made. That virtuosity made his skill logical, diagrammable, even provable: just look at his enjambment, his multisyllabic rhyme schemes, his never-before-done cadence. It was less about the feel or joy so ingrained in the black music that inspired it, and more about the rap qua rap that awed those white teenagers (there are thousands of videos on YouTube of fans attempting Eminem’s raps, in spiritual concert with the thousands of videos of people trying to play Eddie Van Halen guitar solos).

The goal of rap, for Eminem, is to overwhelm. The Marshall Mathers LP floods the room with “South Park” and grisly kidnappings, Ricky Martin and ecstasy, the assassination of Gianni Versace and the impregnation of Jennifer Lopez. One minute you’re dealing with hypocritical gun legislation, the next you’re subject to an Insane Clown Posse diss track; as soon as you consider Bill Clinton’s abuse of power, Eminem is recasting the shooters of the Columbine High School massacre as the real victims. It is data overload, that sharp inhale and sigh of never getting a word in edgewise. For 70 minutes, you are tethered to a twirling Mathers, eye to eye, a dizzying and intimate manipulation by pathos and abuse by words. Sometimes it really is just a litany: “Blood, guts, guns, cuts, knives, lives, wives, nuns, sluts,” or, “Fuck, shit, ass, bitch, cunt, shooby-de-doo-wop, skibbedy-be-bop.” The album’s centrifugal force is thrilling and it is to Eminem’s great credit that he doesn’t once let go of his grasp.

American culture allowed Eminem to freely negate any kind of identity he wanted to, as was his inherent privilege. But, as the critic Hilton Als wrote in his 2003 essay “White Noise,” it didn’t matter to Eminem. “Mathers never claimed whiteness and its privileges as his birthright because he didn’t feel white and privileged,” Als wrote. It’s interesting, though, that Eminem never negated his masculinity or heterosexuality, two identities that were and, more or less, remain intrinsic to the success of male rappers. His privilege meant that he could shed his racial signifiers and become a ghost, a psychopath, a loving father, a bigot, a clown. So why do fans believe any of this? Why, when they listened to Eminem rip his vocal cords open and disconnect from reality and mimic slitting the throat of his wife while he screams at her to “bleed, bitch bleed” do they take him so seriously?

Part of it has to do with that virtuosity. If contemporaries like OutKast and Ghostface grew their albums from the soil, Eminem grew his from the salted earth. He’s grounded but acidic, you see the ink of his words, the indent they make on the page, the ridges formed around the letters by the force of his pen. The delight when he finds a little turn of phrase like “ducked the fuck way down,” or, “I guess I must just blew up quick” shoots out dopamine. It would be one thing if Eminem simply loved language, but more than that, he loves the tradition of rapping, this guy whose passion was donated to him by hip-hop at an early age, a vocation that rescued him from the status quo of poverty, that kept him from becoming among the millions just like someone else. At his best, he is like watching a gymnast spin on the parallel bars in slow motion:

I’m blind from smokin’ ’em, with my windows tinted
With nine limos rented, doin’ lines of coke in ’em
With a bunch of guys hoppin’ out, all high and indo-scented

Part of it, too, was the fantasy he offered. Along with his ’00 nu-metal tourmates Limp Bizkit and Papa Roach, Eminem’s music became synonymous with a kind of ball-chain necklace, mad-at-the-world angst, channeling the latent rage leftover from rap rock’s heyday. Here was a guy who put to carefully chosen words the feeling of being broke, at the end of your rope, jealous and backed up into a corner. Those who threw up their arms and screamed “You don’t want to fuck with me” along with him could feel a little bit of anger exiting their bodies, and the mental pressure dropping by a few millibars.

But the anger and trauma he conjured from his childhood of abuse and bullying felt uncomfortably real in all his performances. On The Marshall Mathers LP, he suits the action to the word and the word to the action. He picks the right tone for the right mood, the horrorcore of “Remember Me?,” the beleaguered artist on “The Way I Am,” the impish malevolence of “Criminal,” or the tortured, regretful, loving, deranged, murderous everything-all-at-once feeling of “Kim.” We don’t really believe it, but we believe Eminem really believes it.

Art bends the world in ways we can’t always see. This album is categorically music for kids, and it rests on the shelf as a time capsule from the last big cultural flashpoint of the 20th century. Heard now, the album is still a considerable piece of music, but it’s also full of this hate. And the targets of that hate—women, the LGBTQ community—are the same people that those in power seek to marginalize. To say otherwise is to rob great art of its power. To say that Eminem’s clearly homophobic lyrics should be read as satire is to argue in bad faith that the impact art has on the world, the way it shapes the life of those who experience it, can be controlled and mitigated. Because hate emerges under the guise of art, it doesn’t erase the profound hurt it brings to a population that may be out of your own purview.

“We are what we pretend to be, so we must be careful about what we pretend to be.” Kurt Vonnegut’s words are consigned to the long epilogue of The Marshall Mathers LP, one that began at the 2001 Grammys. The album won Best Rap Album honors but lost Album of the Year to Steely Dan’s Two Against Nature, a fine record made by two aging private-school-educated jazzbo hipsters who sang about incest and pedophiliac threesomes. The toast of the evening was to be Eminem’s performance with Elton John. As Mathers saw it, this was somehow an olive branch to the gay community, irrefutable proof that he wasn’t a homophobic rapper, that he didn’t have a problem with gays. Protests from the gay-rights group GLAAD and women’s rights group NOW sounded loud from outside the theater. “This is not Lenny Bruce,” said NOW president Patricia Ireland at the event. “This is not even Tupac Shakur. Eminem is not rebelling against authority. He’s attacking groups who are the minority. This is vicious, old-fashioned bigotry.” They chanted “Two-four-six-eight, Eminem is full of hate” and GLAAD bought a 30-second anti-bullying ad on CBS that featured the mother of Matthew Shepard, a man who was beaten and left to die because he was gay.

The grand finale arrived: Eminem walked out in a baby-blue crushed velvet tracksuit with that same left-to-right prowl he had five months ago at the VMAs, sat astride a bed, and calmly went into “Stan.” Stoic and austere, at his best, Eminem just talked to you while the rhymes seemed incidental, divined without effort. He casts himself as the obsessed fan, Stan, and fires off three letters to himself with escalating severity until we find out that, having drawn inspiration from Slim Shady, Stan kills his own pregnant wife and himself in a car crash. On the fourth verse, Eminem steps into back into a calm Marshall Mathers to respond, tender and apologetic.

“Stan” was the third single from The Marshall Mathers LP, built from a beat made by the 45 King after he heard the Dido song “Thank You” used in a commercial preview for the Gwyneth Paltrow movie Sliding Doors. It is the lodestar, the faint and slow-beating heart of the album. The word “stan” was added to the dictionary last year, demonstrating how Eminem articulated a brand of sensationalism and celebrity-worship we now take as normal. The song is the key Rorschach test into the indulgent fame-drenched persecution complex of Mathers at the time. He plays both sides of the coin, signifying his total understanding of any controversy around him: He’s both the troubled fan who misunderstands the art of Slim Shady, and he’s Marshall Mathers, the guy who says all “this shit just clownin’ dawg.” It is the light and the dark that gives dimension to the entire album.

In the performance, Eminem, again, offers a studio-perfect version, crescendoing through Stan’s verses with histrionic flair, his mic glued to his lips, his other arm a besieged windsock. As the song ends, Elton John trots out to meet Eminem centerstage. They embrace. Mathers glares impudently at the audience, as if the hug were a provocation on its own, as if deeming to touch John in public somehow proved something to his critics. It was a feckless, empty gesture born of a basic bigot’s misunderstanding: How can I be a homophobe with a gay friend? But during Eminem’s imperial year, these objections were drowned out by the roar of the crowd. He joined hands with Elton John and they raised them together, and then Eminem threw his middle fingers up. Everyone in the theater was already on their feet.

Sasha Grey (born Marina Ann Hantzis,^[3] March 14, 1988) is an American actor, model, musician, and writer.^[4] Grey began her acting career in the adult film industry, winning 15 awards for her work between 2007 and 2010, including the AVN Award for Female Performer of the Year in 2008.^[5] In 2011, she published a photographic book called Neü Sex about her time as an adult actor.

Grey has been featured in music videos,^[6] documentaries,^[7] advertising campaigns,^[8] artworks,^[9] and magazines.^[10] After her 2009 feature film debut as the lead in Steven Soderbergh's The Girlfriend Experience, she starred in independent films including Open Windows and the Canadian black comedy horror film Smash Cut^[11] and the horror film Would you rather. In 2011, she played a fictionalized version of herself in the HBO comedy-drama series Entourage.

Grey was a co-founder, singer, and writer of aTelecine,^[12] an industrial music band.^[13] She is the author of The Juliette Society trilogy of novels and also writes, directs, and co-produces films and music videos.^[14][15]

• 2Career
• 6Filmography

Background[edit]

Grey – whose original name is Marina Ann Hantzis – ^[3] was born in North Highlands, California into a working-class family.^[1] Her father was a Greek-American who worked as a mechanic and died in June 2015.^[16] Her mother is of English, Irish, and Polish descent.^[17] Grey's parents divorced before she started middle school and she was subsequently raised by her mother, who remarried in 2000.^[1] She was raised as an adherent of Catholicism.^[18]

Grey attended four high schools – including Highlands High in Sacramento, California – and was unhappy in each one,^[1] though she graduated a year early at the age of 17.^[19] In late 2005, she attended Sacramento City College and took classes in film, dance, and acting.^[20] She waited tables at a steakhouse until March 2006 and saved US$7,000 for a move to Los Angeles.^[1]

Career[edit]

In May 2006, Sasha Grey moved to Los Angeles, California, and performed in hardcore pornography.^[21] She considered calling herself Anna Karina,^[1] after the French New Wave actor of the same name before choosing Sasha Grey; 'Sasha' was taken from Sascha Konietzko of the band KMFDM,^[22] and 'Grey' comes from Oscar Wilde's novel The Picture of Dorian Gray^[23] or the Kinsey scale, a measurement of homosexual and heterosexual attraction.^[24][25]

Grey's first scene was an orgy with Rocco Siffredi for Fashionistas Safado: The Challenge by John Stagliano. Grey quickly made a name for herself in the adult film industry after she asked Siffredi to punch her in the stomach; she later stated she was improvising.^[26] In January 2007, Grey was the recipient of awards for 'Best Three Way Sex Scene' in Fuck Slaves and 'Best Group Scene' in Fashionistas Safado: The Challenge at the 24th AVN Adult Movie Awards.^[27] In 2008, she became the youngest woman to win the AVN Female Performer of the Year Award award.^[28] She also won in the category 'Best Oral Sex Scene' for Babysitters at the 25th AVN Awards.^[29] Grey starred in Dave Navarro's film Broken, for which she won the AVNBest High End All-Sex Release award.^[30][31] In 2008 Grey announced that she would represent herself in the adult industry through her agency L.A. Factory Girls.^[32] Grey appeared in Pirates II: Stagnetti's Revenge, which won in 15 categories at the 26th AVN Awards ceremony in 2009.^{[citation needed]}

A. O. Scott of The New York Times described Grey's pornography career as 'distinguished both by the extremity of what she is willing to do and an unusual degree of intellectual seriousness about doing it'.^[33] In 2009, she was voted number one on Genesis magazine's 11th annual edition of its 'Porn's Hot 100' issue; in the 10th edition 2008 she was sixth.^[34][35]

According to the Miami New Times, Grey has performed in around 190 adult films; she also directed Birthday Party and The Seduction (2009).^[36][37][38]The Guardian counted 270 adult films.^[39] Grey filmed her last adult film at age 21 in 2009.^[40] Grey announced her retirement from adult films on Facebook in April 2011.^[41][42][43] In 2010, in an interview with Maxim, Grey said her parents were not happy with her involvement in the adult film industry but that they were on good terms with her nonetheless.^[7]

Media coverage[edit]

Less than six months after entering the adult industry, Grey was featured in the November 2006 edition of Los Angeles where she was flagged as a potentially major star, perhaps the next Jenna Jameson.^[1] In December 2006, Grey was interviewed on the syndicated entertainment industry news program The Insider.^[44] In February 2007, Grey appeared on The Tyra Banks Show and discussed teenagers in the sex industry. There was speculation the show was heavily manipulated through editing and did not include her defense of adult film as a career choice. The show was also criticized for doing this to increase its dramatic value.^[45][46]

Grey was named Penthouse's Pet of the Month for July 2007 and was photographed by fashion photographer Terry Richardson.^[47][48] Grey was profiled in the December 2008 Rolling Stone magazine.^[49] She was the G4tv host in a two-hour documentary on Sexpo Australia for Attack of the Show! in 2009.^[50] Grey has appeared twice in Playboy; in a December 2009 pictorial and as the cover feature in October 2010.^[4][51][52] In May 2010 she interviewed artist Terence Koh for BlackBook.^[53]

In 2011, CNBC named Grey as one of the 12 most popular stars in adult films and noted that her mainstream roles have kept interest in her earlier adult film work high, and that several companies continue to release compilations of it.^[54] The November 2013 issue of Penthouse listed Sasha Grey in their variant of a Dirty Dozen^[55] and Men's Health placed Grey as No. 85 in its list of 'The 100 Hottest Women of All Time'.^[56][57]Philip DeFranco named Sasha Grey as No. 11 on his list of the top 20 most-searched pornographic stars in 2016.^[58]

Modeling[edit]

Grey has modeled for various clients, icluding Max Azria's line Manoukian,^[59] footwear brand Forfex,^[8]American Apparel,^[60] and Flaunt.^[61] Grey modeled for Richard Kern as a part of Vice magazine's anti-fashion layout.^[62] She appeared in his book and in the three-part VBS.tv program Shot by Kern.^[63]

Grey appeared in Taschen's 25th anniversary reprint of Terry Richardson's book Terryworld.^[64]

Among other collaborations with Richardson,^[65] she appeared in Wives, Wheels, Weapons,^[66] a companion book to James Frey's Bright Shiny Morning. She has modeled for artists James Jean,^[67]Zak Smith,^[68]Dave Naz,^[69]David Choe,^[70] and Frédéric Poincelet,^[71] who also created the artwork for aTelecine's ..And Six Dark Hours Pass album.

In 2010 Julião Sarmento, Grey was one of four actors who appeared in his video installation Leporello.^[9][72][73] She was featured in the Richardson magazine A4.^[10][74]Richard Phillips made a short film called Sasha Grey in the Chemosphere for the Gagosian Gallery in 2011 and portrayed her for the Frieze Art Fair in 2013.^[75][76][77]Hypocrite Design described Sasha Grey in the film as a 'perpetually evolving figure'.^[78]

In an interview with Allure in 2018, Grey said her look was 'definitely punk-inspired, definitely the anti-aesthetic, and I've definitely grown out of that because I'm older'.^[79]

Acting[edit]

Sasha Grey appeared in a 2009 episode of James Gunn's PG Porn with James Gunn,^[80] made a cameo appearance in Dick Rude's 2010 independent film Quit,^[81] and starred in the 2009 Canadian low-budget black comedy/horror film Smash Cut with David Hess from Odessa/Zed Filmworks.^[11][82]

In director Steven Soderbergh's film The Girlfriend Experience, Grey played the lead role, 'Chelsea', an escort who is paid to act as her clients' girlfriend.^[83][84] Soderbergh cast her after reading her profile in Los Angeles magazine.^[1][85] As Grey prepared for her role in The Girlfriend Experience, Soderbergh asked her to watch Jean-Luc Godard's films Vivre sa vie and Pierrot le Fou, both of which star Anna Karina.^[86] Grey and Soderbergh also interviewed two escorts, from whom they took character traits and behavior.^[85][26]

Peavey messenger pro 15 manual. Peavey Messenger Series Pro Sub P Operating Instructions Manual. Related Manuals for Peavey Messenger Series Pro Sub P. Speakers Peavey MESSENGER M100 User Manual. Speakers Peavey PVXp 15 Operating Manual. Two-way bi-amped sound reinforcement enclosure (23 pages).

Reviews of Grey's performance in The Girlfriend Experience were mixed.^{[87][88][89][90]}Entertainment Weekly found the film 'mysterious and arresting', and New York said the actors 'appear to be improvising (badly)'.^[91]Violet Blue wrote that 'Grey herself is as complex and layered and mesmerizing as a Soderbergh film itself—that's why Grey's fans cross all kinds of cultural and moral divides'.^[92] On Rotten Tomatoes, the film received a rating of 66% based on 138 reviews.^[93] In 2016, Glenn Kenny who played the majordomo of an escort-review site described The Girlfriend Experience as a 'digital film from another era' with most scenes two-handers.^[94]

In 2009, she also played the Vulcan Chandra in the adult Star Trek parody This Ain't Star Trek XXX, which was directed by Axel Braun, with Evan Stone as Captain Kirk; Stone won an XBIZ 'Female Acting Performance of the Year' award for Star Trek XXX.^[95] Grey played a fictionalized version of herself in the seventh season of the HBO series Entourage. Her character was Vincent Chase's new girlfriend in a multi-episode arc.^[96] The season got a 57% rating (13 fresh, 10 rotten) on Rotten Tomatoes.^[93]

Grey played Raven in the thriller I Melt With You, which was directed by Mark Pellington and premiered at the Sundance Film Festival on January 26, 2011.^[97] She then starred in the Indonesian film Shrouded Corpse Bathing While Hip-Shaking, which premiered on April 28, 2011.^[98] The 2012 horror-thriller Would You Rather, which was directed by David Guy Levy. Grey played Amy, got a critics' consensus rating of 59% based on 22 reviews at Rotten Tomatoes,^[93] and a critic noted the similarity of Amy's role as 'unflinching in the wildest of circumstances, when vying for a hefty sum of cash at the expense of the health' with Grey's career as adult actor.^[99]

She voiced the character Viola DeWynter in the 2011 video game Saints Row: The Third and reprised the role in 2015 for Saints Row: Gat Out of Hell.^[100]

In 2013, in the documentary series Durch die Nacht mit .., Mariya Ocher took Grey to nightlife venues in Hamburg, where Grey ignored the 'women prohibited' barrier of the Herbertstraße^[101] In 2014, she starred with Elijah Wood in Open Windows, which was directed by Nacho Vigalondo.^[102] Nikola Grozdanovic wrote that 'all of Open Windows is constructed in a way for all of the action to unfold through some kind of computer screen'.^[103] The Tomatometer critics' consensus for Open Windows was 40% based on 40 reviews.^[93] In 2017, Sasha Grey and Danny Trejo starred in the arthouse thriller China Test Girls, which was directed by Frankie Latina.^[104] In 2009, Grey was a co-producer of Latina's Modus Operandi, which also stars Danny Trejo.^[14][105]

Grey appeared in music videos for The Smashing Pumpkins' 2007 song 'Superchrist',^[6] and for The Roots' 2008 song 'Birthday Girl'.^[106] In 2011, she appeared in the music video for Eminem's song 'Space Bound', which premiered on Vevo.^[107][108] Grey plays Eminem's girlfriend, whom he strangles before realizing she is a figment of his imagination.^[109]

Music[edit]

According to the Narnack Records website, Grey sang as a guest artist on Repentance by Lee 'Scratch' Perry,^[110] though Perry denied her involvement in a 2009 interview.^[111] In 2008, she began an industrial music collaboration called aTelecine with Pablo St. Francis.^[13] They later added Anthony D' Juan and Ian Cinnamon.^[12] The project's first EP, aVigillant Carpark was released in 2009.^[12] The same year, Grey also contributed vocals to the Current 93 album Aleph at Hallucinatory Mountain.^[112]

In 2010, aTelecine released its first album, ..And Six Dark Hours Pass, and followed it up with the first of three A Cassette Tape Culture compilations.^[113]Paul Maher Jr. compared Sasha Grey with Cathy Ames in John Steinbeck's novel East of Eden, described the ambient tracks of aTelecine as aural wrecking balls, stated that Grey's artistic temperament comes close to that of the Marquis de Sade as 'a proponent of freedom tethered to its furthest extremities, yet untethered by laws, morality or religion', but admired her courage and audaciousness.^[114] In July 2013, it was announced that Grey had left the band, leaving Ian Cinnamon and a new vocalist as the only remaining full-time members.^[115]

In 2012, Grey covered Nico for the X-TG album Desertshore.^[116] In 2014, Grey and Jayceeoh produced 'Heat of the Night', featuring Bella.^[117] In 2015 psytrance band Infected Mushroom featured Grey's vocals in their album Converting Vegetarians II in the track 'Fields of Grey'.^[118] In 2016 Grey contributed to the Death in Vegas album Transmission.^[119] The former Throbbing Gristle members Chris & Cosey remixed 'Consequences of Love' — a Transmission song performed and composed by Grey and Fearless — and in 2017, Michael Mayer adapted the Chris & Cosey remix in his DJ-Kicks album.^[120][121]Vice described Transmission as an 'EBM-inspired romp through the darker edges of the sleazier clubs in the nightlife spectrum'.^[122] In a cameo appearance, DJ Harvey plays 'Consequences of Love' in the rave party at the Grand Palais scene of Mission: Impossible – Fallout.^[123] In 2018, Death in Vegas published the single 'Honey', with Grey as writer, singer, and film director of the Drone Records video.^[15] In August 2018, PIG published 'That's The Way (I Like It)', featuring Grey, and premiered it on Pornhub.^[124]

Since 2010, Grey has regularly performed as a DJ and published some of her mixes on SoundCloud.^{[125][126][127]} Grey said she uses CDJs, USB-sticks, and SD cards.^[128]Earmilk editor David Sikorski considered her mixes as 'testament to her wide range, eclectic taste in music, and her ability to understand the mechanics of solid electronic music production'.^[129][130]

Books[edit]

Grey's photo bookNeü Sex, was released on March 29, 2011.^[131][132]BlackBook described it as 'another right step in transforming herself into the multimedia artist she sees herself as'.^[133] The Portland Mercury compared Grey's 'distinct style' with the photography of Cindy Sherman and Terry Richardson.^[134]

Her second book, an erotic novel titled The Juliette Society, was released on May 9, 2013.^[135][136]Karley Sciortino described it as a 'satirical, erotic novel that follows Catherine, a film student who enters a secret, elite sex society', and in her interview Grey stated she paid homage to novels like The 120 Days of Sodom, Thérèse the Philosopher, and Voltaire's Candide.^[137] Alisande Fitzsimons wrote that The Juliette Society contains references to classic erotic literature and film,^[138] and Cosmopolitan UK called it 'erotica with a difference'.^[128] In 2016, the second book of The Juliette Society trilogy, The Janus Chamber, was published and the third installment, The Mismade Girl, followed in 2018.^[139][140] Grey described The Juliette Society as a bit autobiographical.^[18] Allen Foster wrote that The Janus Chamber is 'a brilliant work of literature', much more Satyricon than Fifty Shades of Grey, where Grey's 'wry sense of humor reveals itself in the obscure pop culture references'.^[141]

Activism[edit]

In 2010, in a nude video, Grey supported a PeTA campaign to curb the overpopulation of dogs and cats by spaying and neutering.^[142] Later the same year, she published her opinions on the Mark Sanford extramarital affair in an op-ed for Newsweek 20/10.^[143]

In November 2011, Grey participated in a guest reading program at Emerson Elementary School in Compton, California. Some parents complained; Grey responded to the controversy by stating, 'I committed to this program with the understanding that people would have their own opinions about what I have done, who I am, and what I represent'.^[144] Grey also appeared on the American talk show The View, where she said she thought the schoolchildren's parents should have been given prior notice of the identity of guest readers and that she would not have accepted the job if parents had objected to her.^[145]

In March 2012, she published a video supporting Equal Pay Day.^[146][147] In July 2013, shortly after the National Security Agency's PRISM surveillance program was first publicized, Grey starred in a Funny or Die 'Sexy NSA Commercial' parody.^[148] Since 2017, Grey has supported Planned Parenthood.^[79][149] Grey supported Bernie Sanders during the 2016 Democratic Party presidential primaries.^[150]

Reception[edit]

In a May 2016 interview, rock and pop culture critic Art Tavana compared Grey with Madonna, describing her as 'defiantly feminist' and as 'novelist, EDM DJ, sex-positive feminist, Formula 1 racer or action star—no matter what it is, it's more than 'ex-porn star'. '^[150] In 2009, Meghan O'Rourke wrote that Grey 'sees her extremity as helping to liberate female sexuality' but she called Grey's persona 'a clever marketing tactic'.^[151]Vanessa Grigoriadis stated that 'what's most important about her is her impact on feminism' and compared her with Taylor Swift.^[25][152] In a 2011 interview with Journal Frankfurt, Grey commented that she dislikes the term 'feminist', saying she would be a 'post-modern feminist' if she was one.^[153]

Personal life[edit]

Grey identifies herself as an existentialist^{[23][154][155]} and bisexual.^[156] She was in a long-term relationship and engagement with Ian Cinnamon, who is 13 years her senior. The couple split up in 2013.^[115][25]

In February 2010, Sasha Grey and Joanna Angel were Sex Week at Yale panelists.^[157][158] In a March 2014 interview, Grey spoke in defense of the adult industry and on behalf of outed Duke University student-turned-adult-actor Belle Knox.^[159]

Grey is a cinéaste—leading to her 2006 alias Anna Karina after a French-Danish film actor—and likes the work of Italian film director Antonioni,^[160]French New Wave filmmaker Godard,^[70] Danish Dogme 95 director Lars von Trier,^[40]New German Cinema filmmaker Herzog,^[161]feminist filmmaker Catherine Breillat,^[152] and American filmmaker David Lynch.^[162]MovieLine recognized her as 'Twitter's Art-House Eulogist'.^[163]

Sasha Grey described herself as David Bowie fan and contributed to a French homage after he died in 2016.^[164][165] Other musical influences include KMFDM,^[149]Throbbing Gristle, Coil,^[166] and Nine Inch Nails.^[152] Grey collects vinyl records,^[128] her motto is Lotta continua,^[167] and on social media profiles she describes herself as 'FUNKY. Hot sauce enthusiast. Single Malt Drinkin, Dean Martin Wannabe'.^[168]

Awards[edit]

Filmography[edit]

Film[edit]

Series[edit]

Music videos[edit]

Video games[edit]

Eminem The Way I Am Libro Pdf Taste Of

Discography[edit]

with aTelecine

2009: aVigillant Carpark (EP; Pendu Sound Recordings)

2010: A Cassette Tape Culture (Pendu Sound Recordings)

2010: ..And Six Dark Hours Pass (Dais Records)

with Current 93

2009: Aleph at Hallucinatory Mountain (Coptic Cat)

with X-TG

2012: Desertshore (covering Nico, Industrial Records)

with Infected Mushroom

2015: Fields Of Grey (EP; Dim Mak Records)

with Death in Vegas

2016: Transmission (Drone Records)

2018: Honey (EP; Drone Records)

with PIG

2018: That's The Way (I Like It) (EP; Pig Industries, Armalyte Industries)

2019: You've Lost That Lovin' Feelin' (cover duet, LP Candy, Armalyte Industries)

Bibliography[edit]

• Neü Sex (VICE Books, 2011, ISBN978-1576875568)
• The Juliette Society (Grand Central Publishing, 2013, ISBN978-0751551587)
• The Juliette Society, Book II: The Janus Chamber (Cleis Press, 2016, ISBN978-1627781800)
• The Juliette Society, Book III: The Mismade Girl (Cleis Press, 2018, ISBN978-1627781824)

See also[edit]

• List of sex symbols (2010s)

References[edit]

1. ^ ^abcdefghGardetta, Dave (November 1, 2006). 'The teenager & the porn star: will 18-year-old Sasha Grey become the adult film industry's next Jenna Jameson?'. Los Angeles Magazine. Archived from the original on May 26, 2009. Retrieved February 21, 2011.
2. ^'Sasha Grey'. AVN. 2011. Retrieved December 22, 2018.
3. ^ ^abLee, Chris (May 21, 2009). 'Porn star Sasha Grey gets a mainstream role'. Los Angeles Times. Archived from the original on April 30, 2010.
4. ^ ^abGensler, Howard (October 11, 2010). 'Porn star Sasha Grey Makes a Bold Move into the Mainstream'. Philly.com. Retrieved February 23, 2019.
5. ^Falzone, Diana (September 1, 2017). 'What happens when porn stars change jobs'. News.com.au. Retrieved March 15, 2019.
6. ^ ^ab'Sasha Grey on Pumpkins' 'Zeitgeist''. PornValleyNews.com. July 21, 2007. Archived from the original on December 19, 2007.
7. ^ ^abAlt, Eric (May 5, 2010). 'Exclusive: Actress Sasha Grey Works '9 To 5: Days in Porn''. Maxim. Archived from the original on March 25, 2012.
8. ^ ^ab'Sasha Grey for Forfex Ad Campaign'. Hypebeast.com. September 5, 2009. Retrieved March 7, 2019.
9. ^ ^abPersano, Giorgio (November 10, 2012). 'Julião Sarmento'. Artmap.com. Retrieved March 12, 2019.
10. ^ ^abRuano, L. (May 3, 2010). 'Richardson Magazine Issue A4'. Hypebeast.com. Retrieved March 12, 2019.
11. ^ ^ab'Smash Cut 2009'. Blu-ray.com. 2009.
12. ^ ^abcBrooks, Todd. 'aTelecine'. Pendu Sound. Retrieved March 15, 2019.
13. ^ ^abYücel, Ilker (November 23, 2008). 'Review ATelecine'. ReGenMag.com. Archived from the original on February 11, 2010.
14. ^ ^abTTH Interviews Sasha Grey, Danny Trejo, Frankie Latina on YouTube; September 22, 2010.
15. ^ ^abBarnabe, Dylan (June 12, 2018). 'Death in Vegas 'Honey''. Exclaim!. Retrieved December 14, 2018.
16. ^Sasha Grey on Facebook. June 10, 2015.
17. ^Kobiata (September 2006). 'Kobiata Interviews… Sasha Grey'(PDF). XCritic.com. Retrieved March 15, 2019.
18. ^ ^abHenares, Quark (February 2015). 'Sasha Grey: What I've Learned'. Esquire. Retrieved March 20, 2019.
19. ^Sampson, Sara (May 22, 2009). 'Sasha Grey Talks Instant Gratification, Porn, & The Girlfriend Experience'. Flavorwire. Retrieved August 3, 2015.
20. ^Craggs, Matthew (January 1, 2008). 'A star is porn'. Sacramento News & Review. Retrieved March 15, 2019. Grey never wanted out of Sacramento per se, but she did want to avoid becoming what she calls 'the North Highlands stereotype: a 19-year-old with a kid, another one on the way'
21. ^Stosuy, Brandon (September 22, 2006). 'Sasha Grey: Dawn of a Porn Star (interview)'. TheFanzine.com. Retrieved May 6, 2019.
22. ^Snarr, Timothy (January 13, 2008). 'Sasha Grey at Adult VOD'. VOD.adultemart.com. Retrieved March 15, 2019.
23. ^ ^abBarna, Ben (October 17, 2008). 'Sasha Grey: Your New Girlfriend'. BlackBook. Retrieved March 15, 2019.
24. ^Hartman, Darrell (May 19, 2009). 'The Grey Lady'. Interview Magazine. Archived from the original on May 21, 2018.
25. ^ ^abcGrigoriadis, Vanessa (May 14, 2009). 'The Dirtiest Girl In The World'(PDF). Rolling Stone. pp. 52–57. Archived from the original(PDF) on July 17, 2011.
26. ^ ^abFeinberg, Scott (December 27, 2010). Scott Feinberg Interviews Sasha Grey on YouTube.
27. ^'2007 AVN Award Winners Announced'. AVN. January 14, 2007. Retrieved March 15, 2019.
28. ^Amelia G (October 23, 2008). 'Sasha Grey is a Star and not a Crossover Star'. BlueBlood.net. Retrieved March 15, 2019.
29. ^Roland, John (January 13, 2010). '2010 AVN Award Winners Announced'. AVN. Retrieved March 15, 2019.
30. ^Rutter, Jared (January 12, 2008). '2008 AVN Awards Winners Announced'. AVN. Retrieved March 15, 2019.
31. ^ ^ab''Broken' Movie Release Party hosted by Tera Patrick and Dave Navarro at Bordello Bar'. Contactmusic.com. October 11, 2007. Retrieved March 15, 2019.
32. ^Albo, Mike (March 14, 2008). 'Sasha Grey Set to Open LA Factory Girls Agency'. AVN. Retrieved March 15, 2019.
33. ^Scott, A.O. (May 22, 2009). 'Movie Review: The Girlfriend Experience'. The New York Times. Retrieved November 7, 2016.
34. ^'Genesis Unveils 11th Annual Hot 100'. AVN. October 20, 2009. Retrieved October 20, 2009.
35. ^'2009 Porn's Hot 100 Genesis Online: The Latest Porn Gossip'. GenesisOnline.com. Archived from the original on June 5, 2008. Retrieved August 17, 2012.
36. ^Furness, Dyllan (June 29, 2016). 'Sasha Grey Understands Your Assumptions and Accepts the Challenge'. Miami New Times. Retrieved March 18, 2019.
37. ^Pipe, Roger T. (November 18, 2009). 'Birthday Party, The'. Rogreviews.com. Retrieved February 11, 2019.
38. ^Recob, Denny (November 25, 2009). 'Sasha Grey: The Seduction'. Cavr.com. Retrieved February 11, 2019.
39. ^Beaumont-Thomas, Ben (October 25, 2012). 'Sasha Grey: Music is just like the porn industry'. The Guardian. Retrieved April 17, 2019.
40. ^ ^abWehner, Cyclone (November 23, 2014). 'Sasha Grey: 'I'd Accomplished All Of My Goals''. Mandatory.com. Retrieved March 20, 2019.
41. ^Grey, Sasha (April 2011). 'Something for the fans'. sashagrey.com. Archived from the original on May 1, 2011. It's become quite evident that my time as an adult film performer has expired.
42. ^McKay, Hollie (May 9, 2011). 'Exclusive: Sasha Grey Done With Porn, Refuses to Play Any Sex-Related Roles'. Fox News. Retrieved March 20, 2019.
43. ^Benedictus, Leo (February 6, 2013). 'Rebecca Adlington, you're not the only person to retire at 23'. The Guardian. Retrieved April 17, 2019. Sasha Grey may ultimately be remembered as pornography's last great star
44. ^'Sasha Grey insider interview'. YouTube. December 24, 2006. Archived from the original on November 1, 2010.
45. ^Warren, Peter (February 9, 2007). 'Commentary: Sasha Grey Goes on 'The Tyra Banks Show''. AVN. Retrieved March 15, 2019.
46. ^Warren, Peter (November 17, 2006). 'Sasha Grey to Appear on 'Tyra Banks Show''. AVN. Retrieved May 3, 2009.
47. ^Warren, Peter (July 3, 2007). 'Sasha Grey Crowned Penthouse Pet of the Month'. AVN. Retrieved December 28, 2018.
48. ^Richardson, Terry (June 26, 2008). 'Sasha Grey Penthouse Magazine July 2007 by Terry Richardson HQ Photo Shoot'. ITR2010.org. Retrieved December 28, 2018.
49. ^COED Staff (December 5, 2008). 'The Girls of Rolling Stone's Hot List 2008'. COED. Retrieved November 19, 2016.
50. ^'Sexpo Australia - Hosted by Sasha Grey'. Attack of the Show! (video). G4tv. December 2009. Retrieved May 23, 2019.
51. ^Warren, Peter (November 12, 2009). 'Sasha Grey Is 'Lolita' in December 'Playboy''. AVN. Retrieved March 15, 2019.
52. ^Kaye, Elizabeth (October 2010). 'Grey's Anatomy'. Playboy. pp. 48–53. Retrieved March 15, 2019.
53. ^Grey, Sasha (May 12, 2010). 'The Porn Supremacy: Sasha Grey Interviews Terence Koh'. BlackBook. Retrieved April 21, 2019.
54. ^Morris, Chris (2011). 'The Dirty Dozen: Porn's Most Popular Stars'. CNBC. Archived from the original on June 8, 2015.
55. ^'Penthouse Magazine Names Porn's 'Dirty Dozen''. AVN. September 30, 2013. Retrieved March 15, 2019.
56. ^'The 100 Hottest Women of All Time'. Men's Health. November 22, 2013. Retrieved March 26, 2019.
57. ^Gossip Girl (December 12, 2011). 'The Hottest 100 Women of All Time?'. Luke Ford. Retrieved March 26, 2019.
58. ^DeFranco, Philip (April 30, 2016). Top 20 Pornstars of 2016 Revealed on YouTube.
59. ^Dikkers, Jan-Willem (2009). 'Manoukian'. jwdikkers.com. Retrieved March 20, 2019.
60. ^TatianaTheAnonymousModel (January 20, 2009). 'American Apparel Now Sponsoring Bloggers & Porn Stars (NSFW)'. Jezebel. Retrieved March 7, 2019.
61. ^Elfman, Doug (March 13, 2009). 'Beyond The Bounds Of Sasha Grey'. Las Vegas Review-Journal. Retrieved May 12, 2019.
62. ^Kern, Richard (April 1, 2008). 'Sasha Restrained By Richard'. Vice. Retrieved March 5, 2019.
63. ^Ohanesian, Liz (May 30, 2013). '11 Sexy Images from Richard Kern's New Taschen Book, Shot by Kern (NSFW)'. LA Weekly. Retrieved March 6, 2019.
64. ^McInnes, Gavin; Zahm, Olivier; Hanson, Dian; Richardson, Terry (April 1, 2008). 'Terryworld'. Taschen. ISBN978-3836535519. Retrieved July 4, 2018.
65. ^Carmon, Irin (June 7, 2007). 'Memo Pad: Really It's Art.. How do you burnish a tarnished brand?'. Women's Wear Daily. Retrieved March 15, 2019.
66. ^'Wives, Wheels, Weapons'. LensCulture. 2008. Retrieved March 23, 2019.
67. ^'Sasha Grey, through the eyes of James Jean'. Juxtapoz. June 20, 2014. Retrieved March 20, 2019.
68. ^Smith, Zak (2007). 'Girls in the Naked Girl Business: Sasha Grey'. Saatchi Gallery. Retrieved March 7, 2019.
69. ^Naz, Dave (2008). 'Dave Naz Photography'. DaveNaz.com. Archived from the original on November 21, 2010.
70. ^ ^abKonrad, Todd (2009). 'Sasha Grey: No Boundaries Left to Cross'. Independent Film Quarterly. Archived from the original on December 10, 2018.
71. ^Sullivan, David (August 7, 2008). 'Sasha Grey Strikes New Poses'. AVN. Retrieved December 21, 2018.
72. ^'Julião Sarmento in mostra a Porto e a Torino'. La Stampa (in Italian). January 18, 2013. Retrieved March 12, 2019.
73. ^Grimes, Christopher (April 8, 2010). 'Destricted: Film Shoot with Juliao Sarmento and Sasha Grey'. Christopher Grimes Gallery. Retrieved March 12, 2019.
74. ^'Richardson Magazine'. Dazed. July 5, 2010. Retrieved March 12, 2019. Crossover porn star, Sasha Grey gives a full and frank interview
75. ^Douglas, Sarah (June 7, 2011). 'Richard Phillips Shakes Things Up Again—With Help From Lindsay Lohan and Sasha Grey'. The New York Observer. Retrieved March 4, 2019.
76. ^Navarro, Pedro (June 29, 2011). 'Sasha Grey and Chemosphere house by John Lautner'. metalocus.es. Retrieved March 20, 2019.
77. ^Clay, Trevelyan (December 2013). 'Trev goes to Frieze London and Chelsea in New York. Enjoys it, but still …'. Stamm.com.au. Retrieved February 3, 2019.
78. ^'Sasha Grey'. HYpocriteDEsign.com. August 29, 2012. Retrieved April 8, 2019.
79. ^ ^abJamie, Beckman (June 14, 2018). 'Sasha Grey on How Her Signature Makeup Has Shaped Her Extensive Career'. Allure. Retrieved February 22, 2019.
80. ^Sullivan, David (September 26, 2008). 'James Gunn Casts XXX Stars in 'PG Porn''. AVN. Retrieved March 15, 2019.
81. ^ ^ab'Quit – Dick Rude 2009'. Newportbeach.festivalgenius.com. April 24, 2010. Retrieved March 20, 2019.
82. ^Rodney (May 14, 2008). 'Smash Cut Casts Sasha Grey'. TheMovieBlog.com. Retrieved March 15, 2019.
83. ^Sullivan, David (October 14, 2008). 'Sasha Grey Stars in Steven Soderbergh Feature'. AVN. Retrieved March 15, 2019.
84. ^Flaherty, Mike (October 15, 2008). 'Porn star cast in Soderbergh film'. Variety. Archived from the original on July 30, 2010.
85. ^ ^abMacaulay, Scott (Spring 2009). 'Stimulus Package'. Filmmaker. pp. 49, 50. Retrieved March 15, 2019.
86. ^Johnson, G. Allen (May 21, 2009). 'Q&A with Sasha Grey'. San Francisco Chronicle. Retrieved June 4, 2009.
87. ^Hoberman, J. (April 29, 2009). 'Soderbergh's Girlfriend Experience Porn-Star Is a True Character'. The Village Voice. Retrieved March 15, 2019.
88. ^Ebert, Roger (May 20, 2009). 'The Girlfriend Experience Movie Review (2009)'. RogerEbert.com. Retrieved March 2, 2018.
89. ^Macdonald, Moira (May 21, 2009). ''The Girlfriend Experience': Soderbergh's sketch of a movie'. The Seattle Times. Retrieved March 15, 2019.
90. ^Konrad, Todd. 'The Girlfriend Experience'. Independent Film Quarterly. Retrieved December 10, 2018.
91. ^'Steven Soderbergh and Sasha Grey: 'The Girlfriend Experience''. The Week. May 22, 2009. Retrieved March 20, 2019.
92. ^Blue, Violet (May 7, 2009). 'The Sasha Grey Experience / Violet Blue: An exclusive interview with the star of Steven Soderbergh's 'The Girlfriend Experience''. SF Gate. Retrieved March 21, 2019.
93. ^ ^abcd'Sasha Grey – Highest Rated Movies'. Rotten Tomatoes. Retrieved March 20, 2019.
94. ^Kenny, Glenn (April 15, 2016). 'Sorry, 'Erotic Connoisseur' Fans—Why I'm Not Turning Up On Starz's 'The Girlfriend Experience''. decider.com. Retrieved March 26, 2019.
95. ^ ^abKoga (February 25, 2010). 'XBIZ Awards 2010: Red Carpet'. LAist. Archived from the original on March 25, 2019. Retrieved March 25, 2019.
96. ^Bierly, Mandi (May 7, 2010). 'Porn star Sasha Grey to play Vince's girlfriend on 'Entourage''. Entertainment Weekly. Archived from the original on January 27, 2016.
97. ^Smith, Nigel M. (December 6, 2011). 'Jeremy Piven on Going to Hell in Sundance Shocker 'I Melt With You''. IndieWire. Retrieved March 20, 2019.
98. ^Oktofani, Elisabeth (April 12, 2011). 'Another Indonesian Film to Feature International Porn Star'. Jakarta Globe. Archived from the original on November 16, 2011.
99. ^Weinstein, Max (February 14, 2013). 'Sasha Grey Plays Rough in 'Would You Rather''. DiaboliqueMagazine.com. Retrieved March 27, 2019.
100. ^THQ (July 22, 2011). THQ @ Comic Con SD 2011 - Interview with Sasha Grey on Saints Row the Third on YouTube.
101. ^'Durch die Nacht mit Sasha Grey und Mary Ocher'. Arte TV. Durch die Nacht mit .. (in German). Hamburg. December 7, 2013. Archived from the original on December 3, 2013.
102. ^Hayes, Britt (October 2, 2014). 'Elijah Wood, Sasha Grey and 'Open Windows' director talk the horrors of anonymity'. ScreenCrush.com. Retrieved March 25, 2019.
103. ^Grozdanovic, Nikola (November 5, 2014). 'Review: Clever 'Open Windows' With Elijah Wood & Sasha Grey May Still Leave You Carsick'. IndieWire. Retrieved March 25, 2019.
104. ^ ^abHarris, Chris (May 23, 2017). 'Sasha Grey and Danny Trejo Star in Arthouse Thriller 'China Test Girls''. Hypebeast.com. Retrieved February 7, 2019.
105. ^Smith, Nigel M. (August 16, 2010). 'Sasha Grey to be Present at 'Modus Operandi's IFC Opening'. IndieWire. Retrieved February 10, 2019.
106. ^The Roots (April 9, 2008). 'The Roots – New videos on the way'. Blogs.okayplayer.com (blog). Archived from the original on September 1, 2010.
107. ^Rodriguez, Jayson (February 18, 2011). 'Eminem Shoots 'Space Bound' Video With Porn Star Sasha Grey'. MTV. Retrieved February 18, 2011.
108. ^Hymes, Tom (February 18, 2011). 'Eminem Casts Sasha Grey in 'Space Bound' Music Video'. AVN. Retrieved December 5, 2016.
109. ^Markman, Rob (June 27, 2011). 'Eminem Co-Star Sasha Grey Interprets Suicidal 'Space Bound' Video'. MTV. Retrieved March 15, 2019.
110. ^'Narnack Records – Artist: Lee Scratch Perry'. Narnack Records. Retrieved November 13, 2011. Guest artists include electronic maven Moby (..) and adult entertainer Sasha Grey.
111. ^Kompanek, Chris (February 18, 2009). 'Dub Legend Lee 'Scratch' Perry Sets the Record (Kind of) Straight'. FlavorWire.com. Retrieved March 15, 2019. She didn't have anything to do with it. That's a rumor.
112. ^Coptic Cat (May 18, 2009). 'Current 93 – Aleph at Hallucinatory Mountain'. copticcat.greedbag.com. Retrieved March 15, 2019.
113. ^Stosuy, Brandon (October 13, 2010). 'aTelecine (Feat. Sasha Grey) – 'It's All Write' & 'I Came I Sat I Departed' (Stereogum Premiere)'. Stereogum. Retrieved March 15, 2019.
114. ^Maher, Paul (July 6, 2010). 'The New Breed: Sasha Grey, aTelecine and the New Morality'. PopMatters. Retrieved March 28, 2019.
115. ^ ^abBlánquez, Javier (July 31, 2013). 'PlayGround Mix 149: aTelecine'. PlayGroundMag.net. Archived from the original on August 13, 2013.
116. ^'Sasha Grey - Credits'. AllMusic. Retrieved January 24, 2019.
117. ^'Sasha Grey And Jayceeoh Releases Stream Of New Single 'Heat Of The Night''. Contactmusic.com. October 22, 2014. Retrieved March 20, 2019.
118. ^'Infected Mushroom - Fields Of Grey (feat. Sasha Grey)'. SoundCloud. 2016. Retrieved April 15, 2019.
119. ^Bächer, Hanna (February 24, 2017). 'Richard Fearless and Sasha Grey on Their Musical Collaboration'. daily.redbullmusicacademy.com. Retrieved March 26, 2019.
120. ^Sherburne, Philip (May 19, 2017). 'Michael Mayer DJ-Kicks'. Pitchfork. Retrieved March 13, 2019.
121. ^Simpson, Paul (2017). 'Michael Mayer DJ-Kicks'. AllMusic. Retrieved March 13, 2019.
122. ^Baines, Josh (August 22, 2016). 'Chris & Cosey Remixed Death in Vegas so We Got Death in Vegas to Pick Their Favourite Chris & Cosey Records'. Vice. Retrieved April 21, 2019.
123. ^Balfe, Lorne (July 27, 2018). 'Mission Impossible: Fallout Soundtrack'. what-song.com. Retrieved May 1, 2019.
124. ^Robertson, Morgan Ashley (August 18, 2018). 'PIG Shares New Song 'That's The Way (I Like It)' Featuring Sasha Grey'. MXDWN.com. Retrieved December 11, 2018.
125. ^Harris, Bill (October 6, 2010). ''Entourage' lifts ex-porn star's career'. Toronto Sun. Archived from the original on December 9, 2010. Retrieved November 23, 2010.
126. ^Trew, Tyler (July 10, 2014). 'Sasha Grey: From porn studio to DJ'. YourEDM.com. Retrieved December 11, 2018.
127. ^'SashaGrey'. SoundCloud. 2012. Retrieved December 11, 2018.
128. ^ ^abcFoster, Allen (July 20, 2016). 'Exclusive: Sasha Grey heats things up at Stratus Rooftop Lounge'. AXS. Retrieved April 6, 2019.
129. ^Sikorski, David (March 3, 2016). 'How Sasha Grey Blew My Musical Mind'. Earmilk. Retrieved January 16, 2019.
130. ^Sikorski, David (March 1, 2018). 'Sasha Grey blends fresh house bangers with underground techno in latest mix'. Earmilk. Retrieved January 16, 2019.
131. ^'Sasha Grey: Neü Sex'. Neusex.viceland.com. Archived from the original on January 12, 2013.
132. ^Grey, Sasha (March 29, 2011). Neu Sex. powerHouse Books. ISBN978-1-57687-556-8. Retrieved April 15, 2019.
133. ^Barna, Ben (April 6, 2011). 'Sasha Grey on Her New Book, the Porn Industry, & Her One Insecurity'. BlackBook. Retrieved April 21, 2019.
134. ^Scrappers (March 31, 2011). 'Neü Sex – Porn Star Sasha Grey Takes Control of the Camera'. Portland Mercury. Retrieved April 29, 2019.
135. ^Gray, Lila (May 6, 2013). 'Sasha Grey's Erotic Novel Debuts Thursday'. XBIZ. Retrieved March 7, 2018.
136. ^Brooks, Todd (2013). 'Read a sexxxy excerpt from 'The Juliette Society' by SASHA GREY of ATELECINE'. Pendu Sound. Retrieved February 6, 2019.
137. ^Sciortino, Karley (May 11, 2014). 'Going Deep with Sasha Grey'. Slutever. Retrieved March 18, 2019.
138. ^Fitzsimons, Alisande (May 29, 2013). 'The Juliette Society by Sasha Grey'. Forbookssake.net. Retrieved March 20, 2019.
139. ^'The Mismade Girl (The Juliette Society, Book III, by Sasha Grey)'. Little, Brown Book Group. May 10, 2018. Retrieved December 30, 2018.
140. ^'Sasha Grey: The Juliette Society – About the author'. TheJulietteSociety.com. 2018. Retrieved March 12, 2019.
141. ^Foster, Allen (October 11, 2016). 'Interview with Sasha Grey: From the road to 'The Janus Chamber''. AXS. Retrieved April 6, 2019.
142. ^Scherer, Logan (January 8, 2010). 'Sasha Grey Unveils New Ad at Adult Entertainment Expo'. PeTA. Retrieved January 31, 2019.
143. ^Grey, Sasha (2010). 'Governor Sanford's Appalachian Adventure'. 20/10. Newsweek. Archived from the original on October 23, 2013.
144. ^Grad, Shelby; Lopez, Robert J. (November 15, 2011). 'Ex-porn actress Sasha Grey defends elementary school visit'. Los Angeles Times. Retrieved March 24, 2019.
145. ^Lincoln, Kevin (November 16, 2011). 'Sasha Grey Just Defended Herself For Reading To Children On 'The View''. Business Insider. Retrieved November 6, 2018.
146. ^Baker, Katie J.M. (March 12, 2012). 'Sasha Grey Sends Mixed Messages in 'Equal Pay Day' PSA'. Jezebel. Retrieved March 9, 2019.
147. ^'Sasha Grey Uses Porn Imagery to Advocate Equal Pay For Women'. GreekReporter.com. March 21, 2012. Retrieved March 9, 2019.
148. ^ ^abFunny Or Die (July 1, 2013). Sexy NSA Commercial With Sasha Grey on YouTube.
149. ^ ^abGrasso, Samantha (July 15, 2018). 'Sasha Grey was never going to let you put her in a box'. The Daily Dot. Retrieved March 9, 2019.
150. ^ ^abTavana, Art (May 26, 2016). 'Who Is Sasha Grey? My Day With L.A.'s Most Misunderstood Sex Symbol'. LA Weekly. Retrieved January 31, 2019.
151. ^O'Rourke, Meghan (June 9, 2009). 'The Pornographic Liberation of Sasha Grey'. doubleX. Slate. Archived from the original on June 1, 2011.
152. ^ ^abc'Sasha Grey, The Dirtiest Girl in the World: The Story Behind the Story'. Rolling Stone. April 29, 2009. Retrieved March 23, 2019.
153. ^Bremer, Nils (September 22, 2011). 'I myself don't believe in feminism'. journal-frankfurt.de. Retrieved March 18, 2019.
154. ^Heyman, Stephen (April 11, 2011). 'Grey Matter'. T: The New York Times Style Magazine. Retrieved March 20, 2019.
155. ^MaximoTV (January 10, 2010). Sasha Grey on Jesus Christ on YouTube.
156. ^'Sasha Grey Interview'. G4tv. May 14, 2009. Archived from the original on November 9, 2013.
157. ^Hoffman, Kevin (January 30, 2011). 'Katherine Kersten's unhealthy fixation on Sasha Grey and Yale Sex Week'. City Pages. Retrieved March 27, 2019.
158. ^Kersten, Katherine (March 6, 2010). 'Yale: A great school for curious types'. Star Tribune. Retrieved March 28, 2019.
159. ^Stern, Marlow (March 12, 2014). 'Sasha Grey on Her Secret 'True Detective' Cameo, 'Open Windows,' and the Duke Porn Star Backlash'. The Daily Beast. Retrieved June 28, 2018.
160. ^Patterson, John (November 28, 2009). 'Why The Girlfriend Experience won't make Grey's day'. The Guardian. Retrieved March 20, 2019.
161. ^Macaulay, Scott (May 26, 2009). 'Talking Godard and Herzog with Sasha Grey'. Filmmaker. Retrieved March 20, 2019.
162. ^Johnson, G. Allen (May 21, 2009). 'Q&A with Sasha Grey'. SFGate. Retrieved March 18, 2019.
163. ^Vanairsdale, S.T. (August 16, 2010). 'Sasha Grey, Twitter's Art-House Eulogist'. MovieLine. Archived from the original on August 31, 2010.
164. ^Vice News (September 27, 2012). 50 Shades of Sasha Grey: How She Got into Porn & More on YouTube.
165. ^'PHOTOS. L'hommage des internautes à David Bowie'. L'Obs (in French). January 11, 2016. Retrieved March 4, 2019.
166. ^'Unsound 2012: First Acts Announced'. The Quietus. June 11, 2012. Retrieved June 12, 2012. First up is aTelecine, who will be delivering the world premiere of their live show. Consisting of Sasha Grey, Pablo St. Francis, Ian Cinnamon and Anthony D'Juan, their music draws heavily from early British industrial, with Grey having cited TG and Coil especially as influences in the past.
167. ^Berton, Lulu (June 22, 2012). 'Sasha Grey, l'ex pornostar che ha come motto 'Lotta continua''. Panorama (in Italian). Retrieved March 20, 2019.
168. ^'Sasha Grey'. Twitter (user profile). Twitter. 2019. Retrieved April 21, 2019.
169. ^Preston, Bob (March 30, 2007). 'Adam Film World Guide Announces Annual Porn Awards Winners'. XBIZ. Archived from the original on October 18, 2016.
170. ^Nelson X (March 29, 2007). 'Adam Film World Announces Annual Award Winners'. AVN. Retrieved November 13, 2016.
171. ^Rutter, Jared (January 12, 2008). '2008 AVN Awards Winners Announced'. AVN. Retrieved March 4, 2014.
172. ^Koga (June 24, 2008). ''Circa '82' Release Party @ Hyperion Tavern'. LAist. Retrieved June 6, 2019.
173. ^Keaper, Brian (2014). 'Seinfeld: A XXX Parody'. AskMen. Retrieved May 6, 2019.
174. ^Pereira, Kevin (December 2009). 'Sasha Grey Talks Sexpo Australia'. G4tv (video).
175. ^Cammila Collar (2010). 'The New Erotic: Art Sex Revolution'. AllMovie. Retrieved January 31, 2019. documentary
176. ^Andrew Marshall (October 3, 2011). 'Big in Jakarta'. Time. Retrieved January 31, 2019.
177. ^Ebert, Roger (June 13, 2012). 'The Girl from the Naked Eye'. RogerEbert.com. Retrieved March 25, 2019.
178. ^Fiona (April 30, 2012). 'Malin Akerman Doubts Linda Lovelace Film INFERNO Will Ever Be Made'. FilmoFilia.com. Retrieved March 24, 2019.
179. ^'Inferno: A Linda Lovelace Story'. Filmstarts.de (in German). 2012. Retrieved March 24, 2019.
180. ^CNBC (July 15, 2009). Sasha Grey Excerpt from CNBC's Porn: Business of Pleasure on YouTube.
181. ^David J (April 15, 2014). 'Toxic' by David J with Adrian H and The Wounds on YouTube, covering Britney Spears.
182. ^Herter, Blair (July 2011). 'Comic-Con 2011 Saints Row 3 Trailer and Sasha Grey'. Attack of the Show! (video). G4tv.com. Retrieved May 15, 2019.

Eminem The Way I Am Libro Pdf Taste Buds

External links[edit]

Eminem The Way I Am Libro Pdf Taste Of Home

• Official website
• Sasha Grey on IMDb
• Sasha Grey discography at Discogs
• Sasha Grey at TV.com
• Sasha Grey at the Internet Adult Film Database