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From Wikipedia, the free encyclopedia

Earlier this year, U.K.-based label Occultation Recordings took the unusual step of surveying fans of The Wild Swans about what they’d like to see included on deluxe vinyl reissues of the band’s third album, 2011′s The Coldest Winter For A Hundred Years, and a 2003 compilation of ’80s radio sessions, demos and rarities called Incandescent.

The Wild Swans were a Post-punk band from Liverpool, England, which formed in 1980 shortly after Paul Simpson (ex-keyboards)left The Teardrop Explodes and teamedup (on vocals) with Jeremy Kelly (guitar), Ged Quinn (keyboards), and Justin Stavely(drums). Stavely was later replaced by Alan Wills and although bassplayers came and went, Joseph Fearon played on both of the studioalbums, recorded by a reincarnated Mark II version of the band.

Enjoying a degree of success and/or cult status in the USA, Germany, UK, Japan, and especially the Philippines, The WildSwans also spawned two interesting splinter projects; Care and The LotusEaters. As the parent outfit, The Wild Swans remained thecornerstone and will, arguably, be remembered as the most reveredand influential of the three projects.

Mark I

The band formed in 1980 and created a unique and distinctivesound based around by Kelly's jangling guitars, Quinn's chimingpiano and bed-rock synthesis, and crowned by Simpson'spost-Romantic lyrics and brooding delivery. An opportunity arosewhen Pete deFreitas of Echo & the Bunnymen (an oldfriend and flatmate of Simpson's) agreed to fund their first single'The Revolutionary Spirit' (1982, Zoo Records). De Freitas, who ended upfinancier, drummer and producer for the single, was credited underhis middle names, Louis Vincent. Despite turning out to be Zoo'slast ever, the single received a measure of critical acclaim and intime, developed cult status, capturing the youthful optimism thatexisted on the Liverpool indie scene in those early days ofpost-punk. Subsequent to the release of The Revolutionary Spirit,weekly rehearsals were given a degree of urgency when the band wasoffered a BBC Radio 1 John Peel session. Songs on this session,written by the composers: Simpson, Quinn and Kelly, are definitiveof The Wild Swans' unique sound and include No Bleeding,Enchanted and Thirst.

The Wild Swans were sporadically active in the early 1980s;touring with Echo and The Bunnymen in 1981 following a residencywith The Teardrop Explodes. A Dave Jensen session came in spring1982, with the band penning - The Iron Bed, Flowers Of England andNow You're Perfect. The first split occurred very soon after thisauspicious BBC Radio 1 session was broadcast and resulted in Kellyand Quinn starting up The LotusEaters with co-founder Peter Coyle. Simpson followed suit withthe Care project, teaming up with Ian Broudie. Strangely, Arista Records,who had refused to sign The Wild Swans, then snapped up both of theoffshoots. Simpson later described this as 'paying twice the pricefor half of the magic.'

In 1986, the session recorded for the Radio 1John Peel Show, was finally released on StrangeFruit Records, containing the tracks 'No Bleeding,'Enchanted,' and 'Thirst.' For fans, the EP represented the closestthing to 'the album that never was' and hope of a re-union wasrekindled.

Mark II

Then in 1988, a second incarnation of the band came togethercomprising Paul Simpson, Jem Kelly and, briefly, Ged Quinn. Theband was joined on bass by Joe Fearon and a long-awaited, debutalbum finally emerged. Titled Bringing Home The Ashes(1988, Sire/Reprise Records), it was produced byPaul Hardiman and yielded two singles, 'Young Manhood' and 'BibleDreams'. Simpson is nowadays disparaging of the sound developed onthe album and feels that some of the aura and magic surrounding the(Mark I) Wild Swans had been lost. 'Major label thinking is like avirus, you forget why you started the band and fall into the 'hit'record mind-set'. He went on to offer even more stark words ofwisdom for those thinking of setting up a band: 'Major labels suckthe poetry from your bones and fill the gaps with a cement madefrom cocaine and crushed teenagers'. Jem Kelly, qualifies thisnegativity, 'The sound on the album is defined largely by the '80sgated snare drum, which dates it, but the songs remain strong 20years later and Paul's lyrics have retained their relevance'. Thealbum was issued on CD in the States initially, followed by UK andGerman releases. In 1996, the album was re-released in thePhilippines, and in 1999 in Japan, although at the moment itremains frustratingly deleted in the UK. In 1991 a rare bootlegyellow vinyl 12' disc was issued in the Philippines, featuring anuncredited dance remix of Bringing Home the Ashes. ThePhilippines also played host to the 2006 compilation, The WildSwans - The Platinum Collection, which collected all tentracks from Bringing Home the Ashes as well as eight ofthe ten tracks from its follow up.

A second album on Sire was released in 1989, subsequent to thedeparture of Jem Kelly. Space Flower was produced by IanBroudie and both Chris Sharrock (drums) and Ian McNabb (additional guitars, vocals) ofthe Liverpool three piece, the Icicle Works appeared as guestmusicians. Broudie pitched in too, on guitars and organ. Simpsonrefers to this latter version of the band as simply, 'himself and afew friends'. The material written for the album had a hint ofthings to come from Simpson's next project,'Skyray', but mostcuriously, a food-flavoured theme, depicted by the tracks 'MeltingBlue Delicious', 'Tangerine Temple', 'Chocolate Bubble-Gum' and'Vanilla Melange'. The album was released in the US, Germany andJapan, but not in the UK. A planned single release of 'Melting BlueDelicious' failed to materialise, although two remixes of the trackwere done; the radical 'St. Petersburg Mix' (remixed by PaulSimpson's old Zoo Records bosses Dave Balfe and Bill Drummond) anda slightly remixed single version, apparently done by Drummond onhis own. The 'St. Petersburg Mix' appeared on a 1990 Sire Recordspromo CD called Just Say Da (Just Say Yes Volume 4) andthe single mix is the first track on 2000's Unearthed -Liverpool Cult Classics Volume 1, released on Viper Records.Drummond subsequently provided vocals for the eponymous track onthe Skyray album Mind Lagoons in 1999 (where he iscredited under the pseudonym 'Tensing Browne').

The Wild Swans split up again shortly after SpaceFlower and Simpson went on to form his own project 'Skyray',recording several singles, EPs and albums.

Retrospectively

In 2003, a retrospective collection of rare Wild Swansrecordings was compiled and released by Renascent Records.Incandescent, is a double CD containing material from1981-1987, but mostly from the band's earliest period. It includesthe Peel, Jensenand Long Sessions,as well as a number of live songs, demos and alternative versions.An accompanying booklet features biographical information on theband and a detailed track by track commentary from Simpson. Thefamiliar 'Icarus Swan' artwork, which first appeared on the coverof 'The Revolutionary Spirit', also returns for a second outing. Ina 2004 interview, Simpson was asked for his verdict on The WildSwans and replied:

For me The Wild Swans was like a beautiful, holy, sexy,disturbing, dreamy nightmare about breaking into heaven to have sexwith the angels. Unfortunately I was woken from my reverie bysomeone yelling into my ear 'Paul, it's 3 a.m. it's pissing withrain, it's your turn to clean the toilet and, oh yeah, your dog isdead'.

– Paul Simpson,vocalist

In 2007, after many years of deletion, Sire Records finallyelected to re-release both Bringing Home the Ashes andSpace Flower, this time giving them a full UK release.Both albums were re-packaged as a 2-CD set calledMagnitude, whose cover and artwork this time mirrored1988's Wild Swans - Music and Talk From Liverpool album,complete with familiar Swan design. The album itself was releasedas part of Sire's April 2007 relaunch of the Korova label,alongside other re-releases from acts like IanMcCulloch and Electrafixion, all 2-CD sets with extratracks.

Magnitude CD 1 features the whole of Bringing Homethe Ashes and the four b-sides from the singles 'YoungManhood' and 'Bible Dreams', all mastered from the originaltapes.

CD 2 features the first UK appearance of the SpaceFlower album, with the addition of an extra track, recordedback in 1989 but left off the album at the time, called 'TastesLike Tuesday'. Another studio recording is the Bill Drummondunreleased single remix of 'Melting Blue Delicious', a very Madchester-stylereworking, incorporating some of Drummond's dancefloor-friendlyabilities as one half of TheKLF.

The second disc concludes with five demo recordings, made bySimpson back in late 1988, including early versions of 'MeltingBlue Delicious' (called 'Telescope') and another mix of 'TastesLike Tuesday'.

The Wild Swans Book

The demos had initially piqued Sire's interest, but by the timethe album was actually recorded, their ardour had distinctlycooled. None have been released before, but their inclusion onMagnitude provides a crisp melodic immediacy that bridgesthe gap between both albums.

Magnitude enjoyed a relatively short physical shelflife as a 2-CD set, however, as in June 2007 Warner Brothers (UK) was disbanded by theparent company, and the recent 2-CD reissues of Liverpool andrelated acts was ceased. After this date, no more physical CDs ofMagnitude were pressed, although it is still available asdownload. In early 2008, a US reissuecompany called 'Wounded Bird' re-released both discs of theMagnitude Set, this time as the two original albums withextra tracks. These CDs are still available to buy as of January2009 although prices for these are rising.

Mark III

Paul Simpson declared his intention to resurrect The Wild Swanson his Myspace site late in 2007:

'This unhappy band has been unfinished business for me for over20 years, haunting my days and nights, obsessing my thoughts at theexpense of my health and sanity. I never got over the suddenimplosion of the first incarnation and was devastated by the crashand burn of the second. In returning from the ambient wilderness Iam not trying to recreate the unique sound of any of the formermembers, how could I? It is the original spirit of the group I amafter, the original blueprint for an English electric brotherhood.I formed and named the band shortly after leaving The TeardropExplodes back in 1980, individually recruiting the members andestablishing both the look and the compass direction. I lived andbreathed The Wild Swans Mk. I and was traumatised to see it seizedand taken from me, so this shouldn't be viewed as a reformation oreven an exorcism, it is a continuum; different but the same'.

– Paul Simpson,vocalist

One of the indisputably genuine Pauline letters. The dating of this letter depends on whether it was written to the northern or southern portion of Galatia (with the former representing the later date). The letter appears to have been written after Paul's death in Rome, by an author who uses his name. (late 2nd century or 3rd century CE) c.

The Wild Swans return single

The Wild Swans Mark III released a new recording as a limitededition 10' vinyl single on the Occultation label in May 2009entitled 'English Electric Lightning/The Coldest Winter for aHundred Years'.

The single featured at number four on the Mojo magazine'Playlist' in April 2009 and has been positively reviewed in themedia: ‘The hymn-like melody and Gothic vocals evoke fond memoriesof classic single, Revolutionary Spirit, whilst clever lyricaljuxtapositions hammer home this harsh lament for modern Britain.Another classic. Welcome back.’ – Alan O’Hare, Liverpool.commagazine ‘English Electric Lightning' is magnificent, a soaring andhymnal six minutes of chiming guitars and surging keyboards, whichfinally lives up to all the potential alluded at all those yearsago with Revolutionary Spirit’. A brave and ambitious single. [TheWild Swans] have at last matched up to all their early enormouspossibility' – John Clarkson, pennyblackmusic.com ‘…it's an instantWild Swans classic with killer chorus and a contemporary feel.`English Electric Lightning' is the finest track of 2009 so far!’ –Jim Henderson, getreadytorockradio

‘. I am all for the resolute return of the Wild Swans,lionhearts stirred from their slumbers by a sense of duty anddestiny…[Paul Simpson] swoops like an avenging angel. Theappropriately magnificent and truly grand English ElectricLightning strikes quite a chord’ – Kevin Pearce, Your Heart Out.‘Worth the wait? Hell yes. English Electric Lightning is a worthysuccessor to Revolutionary Spirit and finds Paul Simpson in finefettle, positive and forceful.like a young turk about to take onthe world’ – When Skies are Grey magazine

The current band line up features founder and original memberPaul Simpson, now joined by Ricky Rene Maymi (Brian Jonestown Massacre), Les Pattinson(Echo and the Bunnymen),Mike Mooney (Julian Cope/Spiritualized),Steve Beswick (Slipstream) and Richard Turvey. GedQuinn remains an honourary member of the band.

The Wild Swans 2009 Gigs

On 23 and 24 July 2009 The Wild Swans performed live for thefirst time since their 1989 demise. The sell out gigs wereperformed to a small audience of 200 each night at Liverpool'sStatic gallery. The band line up comprised Paul Simpson, LesPattinson (Echo and theBunnymen), Ricky Maymi, Mike Mooney and Steve Beswick withHenry Priestman (It's Immaterial) sitting in for GedQuinn on keyboards. Will Sergeant (Echo and theBunnymen) joined the band for the encores and was DJ eachnight.

The Wild Swans Incandescent Rarity

Reviews of the gigs included the comments:

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'There was rejoicing in Liverpool..' Mojo

'.there was a sweetness and a freshness to the Wild Swans' livesound that confirmed them as the real deal' Vicky Anderson,Liverpool Echo

'In a world of phonies, fakes and fat cats, the Wild Swans'comeback is a triumph. And has left us with a taste for more' -Alan O'Hare, pennyblackmusic

'[The Wild Swans]reminding the stunned audience just howincandescent a band they were, and indeed on the evidence oftonight’s performance, still are' - Culture Deluxe

The Wild Swans played a third gig at Static Gallery, Liverpoolon 11 December 2009 with latest band member Richard Turvey onkeyboards.

The Wild Swans second single of 2009

The Wild Swans single 'Liquid Mercury/The Wickedest man in theWorld' was be released on Occultation on 30 November 2009.

Paul Simpson said of this single: Both the A and B side of thenew single are paeans to my Liverpool home on the banks of theRiver Mersey and the horrific/beatific years living in afirst-floor Liverpool bed-sit during the great recession of 1981/2.14 Rodney Street is now a sophisticated bistro café bar but 28years ago, Flat 3 was my Bateau-Levoir; £8 pounds a week for asingle bed, cracked Belfast sink, broken Baby Belling cooker and a2-bar electric fire hazard. It was here that both The TeardropExplodes and The Wild Swans were born and named. The ‘J’ mentionedin the choruses of Liquid Mercury refers to original Wild Swansguitarist Jeremy Kelly, the ‘flaming hair’ being the ginger crimphe sported in the MK 1 phase of the band but ‘J’ also encompassesoriginal rhythm section (the now sadly deceased) Jim Weston anddandy drummer Justin Stavely, not forgetting my old friend andfellow astronaut Julian H. Cope... The Wild Swans were and are mylife and the betrayal I felt when the band imploded around me backin 1982 has haunted me ever since. Over the years many closefriends advised me to ‘Let it go’ but I found that try as I might Isimply could not.

The Single was placed at number 5 in the Mojo Vinyl Countdownand was declared single of the year by Pennyblackmusic and EvilSponge

The forthcoming album, The Coldest Winter for a HundredYears, is currently being recorded for release early in 2010.Twenty three tracks are underway.

See also

References

Burscough Fc Forum

• Interview 2
• Interview 3
• Interview 4 2009
• Interview 5 July2009
• [http://www.pennyblackmusic.co.uk/MagSitePages/Article.aspx?id=5195Gig Review July 2009
• [http://www.noripcord.com/features/wild-swans-interviewInterview 6 September 2009

The Wild Swans Incandescent Rare

Externallinks